Author: theroundgroup

[vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][vc_empty_space height="40px"][/vc_column][/vc_row][vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" z_index=""][vc_column width="2/3"][vc_column_text]Disclaimer: This article is also intended for classical musicians, music lovers, and anyone interested in conformist tendencies in other fields. Therefore, I tried to avoid jargon and to simplify some...

[vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][vc_empty_space height="40px"][/vc_column][/vc_row][vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" z_index=""][vc_column width="2/3"][vc_column_text]The Mozart Kv448 effect originates from the claim by Rauscher et al. (1993) that listening ten minutes to the 1st movement of Mozart’s sonata for two pianos (Kv.448) improved college students’...

[vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][vc_empty_space height="40px"][/vc_column][/vc_row][vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" z_index=""][vc_column][vc_video link="https://www.youtube.com/watch?v=HhDm_clQl1o"][vc_empty_space][vc_column_text]Copyright CERN: https://indico.cern.ch/event/1280894/ 15.06.2023 Mookie Menuhin is an accomplished concert pianist and neuroscientist. During this interview she will share her thoughts about music and neuroscience in the light of her own life experience...

[vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern"][vc_column][vc_empty_space height="40px"][/vc_column][/vc_row][vc_row row_type="row" use_row_as_full_screen_section="no" type="full_width" angled_section="no" text_align="left" background_image_as_pattern="without_pattern" z_index=""][vc_column width="2/3"][vc_column_text]Introduction   Notational audiation (NA), reading musical scores silently (Brodsky et al., 2003), is an integral part of musicians’ artistic process (Keller, 2012). Over half of professional musicians are reported to use...